Category Archives: Models

THE TRIAL – How was it done?

The Trial – Calendar – Behind The Scenes

After publishing photographs from The Trial [ Click for Photos ], our recent conceptual shoot, I’ve received a lot of emails asking ”How was it done?” and “How on earth we managed to convince over 50 models to take part in the project!”

I will be more than happy to answer, but first I would like to thank you all for your messages and kind words, I really appreciate them all!

OK, So let’s get straight to the point!

Working around your limitation is what photography is all about really.

“Do you need a big budget to do big things..?”
– I don’t think so!

What matters is thinking outside the box and always willing to go the extra mile!

The Courtroom scene was the most challenging illustration.
We had no budget to hire over 50 models or the full house of lighting gear…

So instead I decided to Shoot in Sections.

I have prepared a little animation to give you a full understanding of what this involved:

The cameraPhase One!

For this kind of work, you want to have something which will justify the scale of your project.
And I knew I wanted the best possible output!

I decided to try the Phase One camera system, and to say that I am thrilled with the quality of the final images is not enough.
I worked with P65+ Digital Back  and I think that the resolution, quality and level of noise is just superb.
When your focus is in place you will get an extraordinary level of details and – to paraphrase my friend Drew – “the Angels sing!”

And that illustration when printed at almost 2m wide paper is just breathtaking!

[To Enlarge please click on the photo]

Now with the introduction of the new modelPhase One IQ180 Digital Back with over 80MP, and extraordinary quality and detail – they just rewrite the standards!

I hope to put my hands on the beast soon enough to shoot with it my new project – Awakening!

The Setup: Gitzo + Manfrotto

If you can manage to keep your camera locked dead tight on the tripod and keep the lighting consistent – it allows you to multiply not only models but also the lighting setups!

When working with such a camera – and the medium format is not a small body – and large groups of talents + team on the day , there are so many things around you that the least important thing to worry about is to secure the consistent output – you want to be sure that the rig keeps the frames identical.
For that you need to go for the sturdiest tripod which you can get.

We worked with Gitzo GT5660SCT Giant Tripod with a fantastic Manfrotto 405 Geared Head which allows for an absolute fine detail camera position adjustments.

To make sure you will not move anything while shooting – we tethered and operated the camera from a laptop via Phase One, Capture One software.

After all that… it is just as simple as layering final frames in Photoshop!

And other than that, there was almost no postproduction on the images.
You gotta love it, when it is all done in Camera!

Oh, and if you missed my previous post here is the complete Behind The Scenes Video from The Trial and the final photographs you can find here [click]:



PART 1: THE TRIAL by AurumLight Studio

*** Workshops ***

MILK Workshops in AUSTRALIA 2013!
Book youplace nowhere: >>>BOOKING PAGE

BRISBANE Nov 23-24 2013
MELBOURNE Nov 27-28 2013
SYDNEY Nov 30-Dec 1 2013


My best regards

Halloween: Trick or Treat !

so… Trick it is!

The Ghost:

It’s been a while since I last shared some of the Photoshop tricks and this is a great occasion to do that!

Here is the image I shot last year, the concept was a Deadly Dinner, and we have made a series of illustrations, the one below is one of them.
You can find the full story Here.

Let me take you through the Ghost Effect I used above.

First note is that like in case of our Liquid Illustrations all the elements were photographed on the same day with the same lighting, and camera locked on tripod.

This is essential to keep the right perspective and values when working on composite.

First step was to pick the right frame with Olya (on the left), Deona (on the right) and desaturate it.
The second step is a simple treatment of that layer with the GLOWING EDGES photoshop Filter.
Depends on your base frame sometimes it is good to bring back some of the details to our ghost figure!
I did that by adding the mask with a smoke pattern on it:

The final step is to add more smoke layers to create convincing fading effect.
I used simple black and white smoke photographs and placed them above our composite in SCREEN blending mode. To match your smoke layer and the ghost figure you will have to play a bit with the LIQUIFY filter or WARP transformation tool, and voila!

The Blood:

One of the downsides of this test shoot was that even though we had a fake blood we couldn’t use it on the day. So all the blood had to be done in postproduction.
So… how?

Here is the final frame of the Vampire:

and here is the Before and After:

We photographed the blood afterwards and just layered those frames over the original illustration using the MULTIPLY blending mode.
This example should help to understand the general idea:


The MULTIPLY blending mode helps you to match the different skin tones – you can always lift or tone down the brightness using the LEVELS in photoshop, then it is a simple matter of masking out the unwanted portion of the blood layer.

And here you can see a few more illustrations where I used the same technique:



Hi there!

I am very pleased to post another “MILK” illustration which we accomplished last week here in London.

But this time I wanted to build a bit more complicated form than usual !


[Click Image to Enlarge]

OK, let’s start from the beginning…

I came up with this idea long time ago but only recently we decided to go ahead.

When you do shoot something like this, the essential element is the concept.  And this time it was The Nun!

I wanted to mix innocence with a hint of devilish flavour!

Usually we are shooting Milk on Black BG but to reinforce innocence I decided to go for White.

Here you can see our reference photos:

The final image is an effort of the whole team which worked hard with me to make the whole process smooth and efficient as possible and I am very fortunate to have very talented and devoted people on board.

Few behind the scene photos taken by Meera,  where you can see Katkinoko doing her magic with Hair and Make-up, Sophie the Wardrobe stylist, my first assistant Magda and Ola, Misha and Michaela!

Last but not least!

Kudos to our fantastic model Ella Darling!

She was absolutely amazing – not everyone can handle 15 litres of cold Milk !


I would like to say thank you to all  who are contacting us asking about possible Workshops, advise or just postproduction technics!

I am pleased to say that we are planning to organise a two day Workshop in London later on this year!

If you are interested just drop us a line on with title “Workshops”.  We will send you a Newsletter as soon as we confirm dates!

So please watch this space!



B-Movie “THE TRAP”

Hi there!

Today I would like to share a few images from a short series called
the B-Movie “THE TRAP”,
which we did earlier this year in Brussels, Belgium under the eye of Drew Gardner.
It was a pleasure to work with great group of professional people, below you can see the effects of our effort on the day!

The concept was to bring the climate of the classic B-movies and Si-Fi thrillers.

In our story the girl must go through the forest to search for her dog that happens to be a decoy purposely enticed by …

…well check for yourself:
B-Movie “THE TRAP”
[Click Image to Enlarge]



And here you have behind the scenes video recorded by me and Bert Stephani




Hi there!

We are quite busy here at the studio… so today just a simple BW post!

Hope  that you like it!







“DEADLY DINNER” by Aurum Light Studio

I hope everyone had “interesting” Halloween this year!

We had scheduled a test shoot with a great bunch of models, MUAs and photogs organised by great Folks from London Strobist Meetup Flickr Group,
So… we decided to take advantage of the mood at that time…

Instead of typical portraits we asked the models to act a little bit for us.
We are always looking for great individuals for upcoming projects and I thought this could be a great exercise to check we can work together and are on the same wavelength…

OK, the idea was simple, but there were a few obstacles…

First – the shoot wasn’t at our studio – no problem – we took the gear and the props with us…
Second – because we couldn’t check the location I couldn’t predict what type/size of space were going to find there.
Third – we had to shoot with people we never worked before i.e models/MUAs so we couldn’t actually select the wardrobe and styling – but we wanted to make a consistent set of images… I know it is piling up…

Fourth, and the most difficult was that we couldn’t get all the models at the same time for the shoot because there were a few other togs doing their shoots in different rooms and settings…

Solution – we came up with the idea of a few concepts and if we needed more than one “actor” on the set – we were shooting Composites.

Because of that, we setup the camera on the tripod, fixed the lights, the props and we started from there…

It’s funny when you need to explain to someone how to act and there is a vampire next to you…

Here are the results of this hectic shoot, we hope you like it!









P.S. No Models Were Harmed During This Shoot !

Please watch this space there is more to come!